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<article xmlns:ali="http://www.niso.org/schemas/ali/1.0/" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" article-type="research-article" dtd-version="1.2" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">kaspy</journal-id><journal-title-group><journal-title xml:lang="ru">THE CASPIAN REGION: politics, economics, culture</journal-title></journal-title-group><issn publication-format="electronic" /><issn publication-format="print">1818-510X</issn><publisher><publisher-name xml:lang="ru">Астраханский государственный университет им. В. Н. Татищева</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="publisher-id">229</article-id><title-group xml:lang="ru"><article-title>Wolfganh Beltracchi - the forger of the century (review of the bookwritten by Stefan Koldehoff and Tobias Timm “Falsche Bilder, Echtes Geld”)</article-title></title-group><title-group xml:lang="en"><article-title>Wolfganh Beltracchi - the forger of the century (review of the bookwritten by Stefan Koldehoff and Tobias Timm “Falsche Bilder, Echtes Geld”)</article-title></title-group><contrib-group><contrib contrib-type="author"><name-alternatives><name xml:lang="ru"><surname>Lebedeva</surname><given-names>Irena Va.</given-names></name><name xml:lang="en"><surname>Lebedeva</surname><given-names>Irena Va.</given-names></name></name-alternatives><email>irenalebedeva@mail.ru</email><xref ref-type="aff" rid="aff294" /></contrib><contrib contrib-type="author"><name-alternatives><name xml:lang="ru"><surname>Postnov</surname><given-names>Sergey Dmitrieyevitch</given-names></name><name xml:lang="en"><surname>Postnov</surname><given-names>Sergey Dmitrieyevitch</given-names></name></name-alternatives><email>serjpostnov@rambler.ru</email><xref ref-type="aff" rid="aff295" /></contrib></contrib-group><aff-alternatives id="aff294"><aff><institution xml:lang="ru">Astrakhan State  University</institution></aff><aff><institution xml:lang="en">Astrakhan State  University</institution></aff></aff-alternatives><aff-alternatives id="aff295"><aff><institution xml:lang="ru">Astrakhan State  University</institution></aff><aff><institution xml:lang="en">Astrakhan State  University</institution></aff></aff-alternatives><pub-date date-type="pub"><year>2013</year></pub-date><issue>3</issue><fpage>458</fpage><lpage>463</lpage><history /><self-uri xlink:href="https://kaspy.asu-edu.ru/en/archive/2013/issue/3/article/229">https://kaspy.asu-edu.ru/en/archive/2013/issue/3/article/229</self-uri><self-uri xlink:href="https://kaspy.asu-edu.ru/storage/kaspy/archive/3(36)/458-463.pdf" content-type="pdf">https://kaspy.asu-edu.ru/storage/kaspy/archive/3(36)/458-463.pdf</self-uri><abstract xml:lang="ru"><p>The book written by German authors Stefan Koldehoff  and Tobias Timm, published in 2012 became popular at once, as it enlightens the history of sensational exposure of the painting forgery. The authors show to the reader different sights at a problems and give the opinions of experts. The authors were awarded with the sphere of literature und journalism in 2012.</p></abstract><abstract xml:lang="en"><p>The book written by German authors Stefan Koldehoff  and Tobias Timm, published in 2012 became popular at once, as it enlightens the history of sensational exposure of the painting forgery. The authors show to the reader different sights at a problems and give the opinions of experts. The authors were awarded with the sphere of literature und journalism in 2012.</p></abstract><kwd-group xml:lang="ru"><kwd>the forger</kwd><kwd>the ingenious artist</kwd><kwd>swindle</kwd><kwd>the modern art</kwd></kwd-group><kwd-group xml:lang="en"><kwd>the forger</kwd><kwd>the ingenious artist</kwd><kwd>swindle</kwd><kwd>the modern art</kwd></kwd-group><funding-group xml:lang="ru"><funding-statement /></funding-group><funding-group xml:lang="en"><funding-statement /></funding-group></article-meta></front><body /><back><ref-list /></back></article>